With a career now spanning six decades, Robyn Hitchcock remains a truly one-of-a-kind artist – surrealist rock ‘n’ roller, iconic troubadour, guitarist, poet, painter, and performer. An unparalleled, deeply individualistic songwriter and stylist, Hitchcock has traversed many genres with humor, intelligence and originality over 30 albums and seemingly infinite live performances.

From The Soft Boys’ proto-psych-punk and The Egyptians’ Dadaist pop to solo masterpieces like 1984’s milestone I Often Dream of Trains and 1990’s Eye, Hitchcock has crafted a strikingly original oeuvre rife with sagacious observation, astringent wit, recurring marine life, mechanized rail services, cheese, Clint Eastwood, and innumerable finely drawn characters, real and imagined.

Born in London in 1953, Hitchcock attended Winchester College before moving to Cambridge in 1974. He began playing in a series of bands, including Dennis and the Experts, which became The Soft Boys in 1976. Though light years away from first-wave punk’s revolutionary clatter, the band still manifested the era’s spirit of DIY independence with their breakneck reimagining of British psychedelia. During their (first) lifetime, The Soft Boys released two albums, among them 1980’s landmark second LP, Underwater Moonlight. “The term ‘classic’ is almost as overused as ‘genius’ and ‘influential,’” declared Rolling Stone upon the album’s 2001 reissue. “But Underwater Moonlight remains all three of those descriptions.”

Hitchcock began his solo career with 1981’s Black Snake Diamond Röle, affirming his knack for eccentric insight and surrealist lyrical hijinks. 1984’s I Often Dream of Trains fused that approach with autumnal acoustic arrangements, deepening the emotional range of his songcraft. Robyn Hitchcock and The Egyptians were born that same year and immediately lit up college rock playlists with albums like 1986’s Element of Light. He signed to A&M Records in 1987 and earned early alternative hits with “Balloon Man” and “Madonna of the Wasps.” Hitchcock returned to his dark acoustic palette with 1990’s equally masterful Eye before joining the Warner Bros label for a succession of acclaimed albums, including 1996’s Moss Elixir and 1999’s Jewels For Sophia.

Having first reunited for a brief run of shows in 1994, The Soft Boys came together for a second go-around in 2001, releasing Nextdoorland to universal applause. Hitchcock joined the Yep Roc label in 2004, embracing collaboration with friends and like-minded artists such as The Venus 3 (Peter Buck, Scott McCaughey and Bill Rieflin), Gillian Welch and Dave Rawlings (2004’s Spooked) and legendary producer Joe Boyd (2014’s The Man Upstairs).

Hitchcock moved to Nashville in 2015, where he quickly found a place among the Music City community, recording 2017’s self-titled Robyn Hitchcock and 2022’s Shufflemania! Indeed, Hitchcock has proven an irrepressible collaborator throughout his long career, teaming with a boundless series of fellow artists over the years, including R.E.M., Andy Partridge, Brendan Benson, Johnny Marr, Sean Ono Lennon, Grant-Lee Phillips, Jon Brion, The Decemberists, Norwegian pop combo I Was A King and Yo La Tengo to name but a few.

Along with his musical efforts, Hitchcock has appeared in several films, among them collaborations with the late Jonathan Demme on 1998’s concert documentary Storefront Hitchcock and roles in 2004’s The Manchurian Candidateand 2008’s Rachel Getting Married.

An inveterate traveller and live performer, Hitchcock has toured nearly constantly for the past four decades, playing countless shows worldwide, from Africa to the Arctic.

His memoir 1967: How I Got There and Why I Never Left was published on June 28, 2024.

Emma Swift is an Australian-born songwriter, currently residing in Nashville, TN. A gifted singer inspired by Sandy Denny, Joni Mitchell, Marianne Faithfull and a plethora of dead poets, her sound is a blend of classic folk, Americana and indie rock.

In August 2020, she released the critically-acclaimed Blonde on the Tracks, a Laurel Canyon inspired reimagining of some of her favourite Bob Dylan tunes on Tiny Ghost Records. The album received Best of 2020 accolades from Rolling Stone, Nashville Scene, No Depression, The Guardian and more.

Her new album The Resurrection Game was released on Tiny Ghost Records on September 12, 2025.

The seeds of The Resurrection Game were sown on the heels of a seven-week nervous breakdown that saw Swift sectioned in her native Australia. Over a year of recovery followed, a very fragile period in which she grappled with what had happened through therapy, medication, and eventually, her art.

“I am a big believer in the redemptive power of art,” Emma Swift says. “Though many of these songs come from a an immensely difficult time in my life, what I’m trying to do here is to alchemize the experience. To make the brutal become beautiful.”

Grounded firmly in enduring musical traditions yet utterly contemporary in viewpoint and execution, The Resurrection Game immediately confirms Emma Swift as a singularly gifted singer and songwriter of immense skill and spirit. Swift trusts to her core that the act of creating something so passionately personal, of giving in completely to her life-altering heartache and despair, is the truest path towards greater connection with her art and the world outside.

Listen to Emma’s music here.

"Her high, clear voice highlights each syllable, letting you hear the words form, one seemingly following inevitably from the other, until they feel handed down, fragments of an old song now speaking to each other.” Greil Marcus, LA  REVIEW OF BOOKS

“There’s a purity to this collection that allows both Dylan’s poetry and Swift’s emotion toshine; she embodies tracks like “Simple Twist of Fate” in a way that makes it feel like she wrote it herself.” SAN FRANCISCO CHRONICLE

“Swift navigates Sansone's majestic folk-rock arrangements like the able captain of a frigate

 sailing over shimmering seas.” Bud Scoppa, UNCUT MAGAZINE